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Vinyl records
since 1983

12″ and 7″ formats
From 300 copies

FAQ

What is the recommended maximum running time per side?

12″: approx. 26 minutes at 33 rpm 1/3
7″: approx. 4:30 at 45 rpm

Accepted filetypes

Audio
Filetype: .wav or .aif
Bit depth: from 16 to 32 bits
Samplerate: from 44.1 to 192kHz

Artwork
Filetype: .pdf, .tiff, .eps, .ai, .png
Color mode: CMYK or grayscale
Multi-layer: yes
Resolution: at least 300 DPI

Guidelines for preparing the master

Frequencies
Most of the masters we receive are heavily filtered in the lo- and hi-ends, but this is not strictly necessary.
Like any other analogue recording process, lacquercut isn’t frequency-related only, but current-related as well: this means that what has to be suppressed at a high recording volume, may not require (the same) suppression at a lower volume.
It is also wellknown that the width of the stereo field may have an impact on the groove width variation, moreover when there is a remarkable difference between the two channels in the mid-low and low frequencies. But this impact depends on the recording volume as well, consequently any correction applied to the digital file may be unnecessary.
This is why we discourage to filter the digital master too much: what needs to be corrected emerges only during the cutting process.

Dynamics
According to our experience, the dynamic range that enhances the quality of the reproduction on vinyl ranges from -10 to -15dB RMS (rock/pop/r’n’b/electronic music). In jazz and classical music, the dynamic range is often less compressed, and it is a personal choice of the producer.
Please avoid preparing masters with an excessive dynamic range. Vinyl records have an overall dynamic of 55-60dB, in the best possible scenario.

How to send the files

Prepare audio and artwork and pack them into one or two archives. An enclosed .txt file with a brief resume of the order (cat. n°, q.ty, specifications) is appreciated.

Tracks of each side may be arranged as a single file or as a group of single tracks.

Single file: a PQ-Sheet or similar (indicating the timings for the track skips/visual markers) must be enclosed with the audio files.

Single tracks: they should be named “A1, A2.. B1, B2” and not “1A, 1B”. If no further instructions are enclosed, then we’ll line up the files of each side one after eachother, without blank spaces (or pregaps) inbetween. If you want a specific amount of silence to be inserted between the tracks (e.g.: 2-3 seconds), then please enclose an “instructions” file with details to the master folder.

Contact us

Please don’t ask quotations for less than 300 copies! Thank you.

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